My Struggle 4: Sure. Fine. Whatever.

I should be devastated. I was promised answers to questions new and old, resolution to mysteries introduced as recently as last week, and a satisfying conclusion that brings together the four My Struggle episodes into a standalone series-within-a-series.

And yet I’m okay. Why? Because I had seen My Struggle(s) 1 through 3. That changes everything. A metaphor comes to mind:

I’m in the passenger seat of Mulder’s 2018 Ford Product Placement as he careens down the highway. I’m not sure what he’s chasing, but he’s being really dramatic about it. Eventually I realize even he doesn’t know what he’s after and that we’re definitely going to crash and erupt into a ball of flames. May as well enjoy the ride, I think to myself.

It was with this Scully in Syzygy attitude that I watched the episode, for better or for worse. It’s not a great way to go through life, but I’m pleased to report that it made certain elements of the episode less unwatchable than they would have been otherwise.

Event: Various murders

How I should have felt:

WHAT. Why did I spend any time at all trying to figure out how the new space colonization conspiracy fit in with the old conspiracy?? And why was Barbara Hershey shoehorned into other episodes as though she mattered? Are these people who are being mind-exploded by a teenager related to the Russians from This, or are they part of CSM’s efforts to cover up the experiments that created William in the first place, or did they even have an origin or purpose at all aside from being the X-Files equivalent of Red Shirts?

And did you just SHOOT MONICA REYES IN THE HEAD FOR NO REASON?? Does no one remember that Monica Reyes used to sing whale songs and scorched a super soldier with a pot of boiling water to protect Scully while she was giving birth? Did Skinner even know that Monica was collaborating with CSM in Scully’s future-vision a.k.a. season 10 in its entirety, or alternately did Scully never have the opportunity for a sit-down chat about her premonitions of the global apocalypse because she and Mulder spent season 11 distrusting Skinner, which means he hasn’t seen Monica Reyes in like 15 years and thought to himself, “Oh hey, it’s Monica. Long time, no see. BLAM BLAM BLAM!”

How I felt:


No spin-off for you…


No spin-off for you…


Oh hell! Skinner just gave you a Krycek. In any case, no spin-off for you…


I’m not convinced Skinner is dead.


Event: William switcheroos

How I should have felt:

Wait — holy crap. That conversation was really with William the whole time?? But… but… HE LOOKS JUST LIKE MULDER. Whoa, my mind is blown.

How I felt:


It’s William.


It’s William.


Also, DPO called, it wants its hobby for delinquents back.


Event: William gets shot in the head

How I should have felt:

What a heroic and shocking sacrifice. Because William has seen the horrors of the future, he’s stepped into his father’s place and gotten himself shot to stop that from happening. … though I guess if his future-visions included Mulder dying in a car on a bridge, he must know that either CSM won’t shoot Mulder, or that his visions are collectively BS.

And thank goodness that he’s pulling his Ghouli trick again and only making us think he’s died from a gunshot wound to the head. … though he must have had to use some of his powers to make CSM’s bullet go astray to keep himself from actually getting shot. Unless CSM knew it was him and shot to miss? Or unless CSM decided to be true to his character and have the aim of a decrepit old man who was barely cobbled back together after taking a helicopter missile to the face?

How I felt:



Event: Scully as Ms Moneypenny

How I should have felt:

So if I cut all the Mulder out of this episode, I just watched 42 minutes of Scully sitting at home and then taking a break from all the sitting to call a cable news show. And thanks for the awkward cuts that keep me from seeing her find out William’s true parentage; until the end of the episode, I just assumed Skinner got distracted and forgot to tell her.

But it’s okay — she’s pregnant, which is the only good thing that can ever happen to a 54-year-old woman and is enough to wipe out any of those pesky William issues she’s been having since season 8. It’s a good thing we spent a significant portion of seasons 10 and 11 setting up mega-conspiracy arcs that never happened instead of learning more about what motivates these characters to stay in the FBI, giving Scully a real meeting with her son, having any clue what they agreed to in the church conversation from Nothing Lasts Forever, letting Mulder and Scully kiss now that they’ve conceived two children together…

To Chris Carter — I know you’ve been getting beat up a lot this season. We are all eternally grateful for the vision you had when you created Scully, Mulder, and the X-Files, and there have been some truly genius moments of television that you brought to life. Thank you so much for everything you’ve made; you can kind of tell the quality of a show by how many people are willing to careen into the wild depths of obsessed (“focused,” we used to call it) fandom for it. X-Files would be nothing without you.

That said… what the hell was this.

How I felt:

See above.

I’ve got a fever… and the only cure is more MOTW

After last week’s airing of Rm9sbG93ZXJz (gesundheit), there have been quite a few reviews lauding the “flexibility” of X-Files — that we’ve got this series with enough credibility to stretch genre boundaries without sacrificing quality.

A lot of credit is given to the Monster of the Week / mytharc style of episode continuity, where bone-chilling developments in the shadowy government conspiracy world can be put on the back burner for a few minutes while our heroes chase hurricane worms and butt genies. There was a time when this feature of the series grated on me a little, especially in seasons where you were waiting for something really important to happen —



— and knew as soon as you saw a horde of creepy townspeople that this was not your week.

But that was then.

Now, as a dedicated viewer of season 11, I say praise Jesus Slug for these intelligent, entertaining entries in the MOTW category that create just a little more narrative space between me and any rendition of My Struggle. My Struggle wants me to engage in a world of space colonization and medical rape, where the world may or may not be about to end in a collapse of human immunity, and where Miller and Einstein exist. The great MOTW episodes this season — I’m thinking Rm9sbG93ZXJz, The Lost Art of Forehead Sweat, This — cuddle me in their arms and say, “I know the apocalypse is coming, but let’s watch Mulder and Scully go out for sushi.”

I’m hoarding all the feels and giddiness I get from these episodes and wrapping myself in it one week at a time like papier mache ahead of week 10, when my piñata self will be lowered into swinging range of the My Struggle bat. In the meanwhile, in honor of these delightful sandbags against the impending mytharc onslaught, let’s take a moment to recognize a special subset of the MOTW genre: the concept episode.

Is this a real term? No. This is a thing I’ve just made up and for which someone else has probably already established a label. Nonetheless, today we’ll define a concept episode as an MOTW that doesn’t look like an X-Files episode. Some of these are great, and some of these are forgettable crap. Let’s take a look at three of each just for the sake of symmetry.


Fearful symmetry??” “That’s not even related at all. Did you even read the intro?”

Great Moments in Concept Episode History

3. X-Cops


“That’s gonna give me nightmares!”

As recently as two years ago, I thought this episode was hot garbage. Woe unto my ignorance. Even though the premise is gimmicky AF, they’ve somehow managed to port over an entire plotline onto a cheaply-made reality show precursor without losing the essence of what makes X-Files tick — Mulder & Scully, and a scary monster.

One good indicator of an episode’s quality is its quotability, and who can forget Mulder’s bleep-laden admonition for the man behind the door to cowboy up? Or his recommendation that Scully consider a new look in the form of bubble gum pink?

There is also that classic little bit of Scully backtracking on her abject dismissal of Mulder’s crazy theories, in order to save face for him in front of the cameras. Firstly, aww. Secondly, it’s a nice reminder for anyone who might think Scully comes across as a harping shrew that we act differently when we know someone else is watching.

Though if you have ever thought that Scully came across as a harping shrew — how dare you.

2. Triangle


“Triangle… I love you.”

Mulder may or may not journey into the past in this episode, which gets several brownie points for its 1940s fashion and music, and several zillion brownie points for the kiss that we all know is the real reason this episode is on the list, despite whatever non-shipper rationalization I’m about to invent.


Not that one.

For those with a greater appreciation for cinematography than I have, one of the key features that differentiates this episode are the no-cut action sequences a la Hitchcock’s Rope. For me, it’s the usual swirl of circular logic and causality that you get with a time travel story, but with the added bonus of our favorite characters with accents. It’s also the conspiracy element, the tense 1998 race to get satellite data, the Lone Gunmen…


Oh and this

1. Post-Modern Prometheus


If I could turn back time…

It’s in black and white. That’s how you know it’s a serious artistic endeavor.

But seriously — it’s a “monster of our own making” story with a twist of Cher. Even if you don’t buy that the episode really happened because of the comic book fadeaway at the end, you at least have to acknowledge that whoever wrote the comic actually had a close encounter with Mulder and Scully. And who among us has ever been able to look at pest fumigation tents the same way since?

I could break character and leave out my favorite part of the episode because I’m insecure about being typecast as overly distracted by shipper fluff, but I can’t — nay won’t — be held accountable for falling victim to what is certainly one of the sweeter SQUEEs in the series.


Say it with me — SQUEE!

And lest we forget…

Forgettable Moments in Concept Episode History

3. First Person Shooter


I do still dig her outfit, though.

As mentioned above, I love the Lone Gunmen. I also love seeing Scully be badass, and I have a passing interest in first-person shooter video games. That said, these elements come together in a salad of nonsense that completely drowns out the feminist themes… if indeed something can be said to drown in salad.

Why are the Lone Gunmen on board with suppressing a murder investigation to avoid jeopardizing their software investment? Doesn’t that sound like something they’d write an article about in their silly little rag if someone else made that choice?

Why is every man in the office crowded around the interrogation room as if women had just been invented?

Why does this advanced immersion game render every character off the same model?

So many unanswered questions. And much like the unanswered questions posed by any rendition of My Struggle, I am completely fine with never knowing the answers.

2. Babylon

022116 mushroom

I wish.

In many ways, the episodes of season 10 and 11 are immune to inclusion on this list because there aren’t a lot of established norms for special shortened seasons of a classic series that’s been off the air for 15 years. That said, Babylon was just heinous enough that it transcended that restriction, much like a mother’s love transcending a coma and extremism or something.

The episode is already questionable even before the jump, as we watch a Muslim man pray, get bullied by a racist Texan in a truck, and then blow up a building. Thanks for that, Chris Carter. It was a bold and innovative choice to have one of the first (if not the first?) Muslims shown praying on X-Files immediately roll up on a building in suicide bomber chic.

It’s also a stretch of good judgment to shoehorn a lengthy drug trip scene into one of the only 6 episodes that will ever exist of this revived series, as far as anyone knew way back then. And there’s the Lone Gunmen again; I sense a theme. Even less judgment was shown in revealing that the mushrooms were a placebo the whole time. The viewer’s payback for reserving judgment on the honky tonk badonka-donk is thus that none of it meant anything.

It was perplexing to have Mulder and Scully walking hand in hand and discussing the nature of unconditional love and trained hatred, only to be interrupted by the sound of the Angel Gabriel’s horn.


Worst of all.

022116 miller

This happened.

If I thought it would take more than 10 words apiece to describe the entirety of Miller and Einstein’s character arcs, I would write a blog post about my burning dislike for these derivative, uninteresting inside jokes with arms and legs. They certainly did themselves no favors by splitting up Mulder and Scully for nearly the whole episode, and for apparently drawing them down to Texas to feed them fake drugs and talk to a man in a coma.

1. Sunshine Days


X-Files? *checks TV Guide to be sure*

I feel I should start by saying that I do not dislike Sunshine Days as much as I do Babylon. If Babylon is an offensively convoluted ode to plot holes, Sunshine Days is more of a quirky nuisance.

Its biggest problem is that it’s just a little too wacky. There are people who make the same claim about lighter fare from every season — and there certainly was a lot of zaniness in season 7, for instance — but even after avoiding the episode for 10+ years, I could still see the scene where Benjamin Linus makes Skinner levitate and hear the goofy music accompanying it.

111skinner levitates

“Whoa, folks, hold onto your hats — it’s gonna be a wild night!”

Stir in yet another Southern California setting to rub salt in the wound we all received when production left Vancouver, and you’ve got yourself a filler episode if there ever was one.

Where it runs afoul of viewers is in its placement in the season — Sunshine Days is the very last episode before the 2-hour series finale. There were only two stories left to tell at the end of 9 years of era-defining television, and one of them needed to be about the Brady Bunch.

As we find ourselves coming up on this very moment in history yet again, and with the specter of another middling series finale overwrought with late-era mytharc, I would like to give a warning to season 11, episode 9: I’ve got my eye on you. There had better not be even a single major chord of Mark Snow’s “zany” repertoire, or so help me Jesus Slug…


Handcuffs & Food

This was a great episode. Perhaps that assessment is a product of the dumpster fires leading up to it, but I want to believe — nay, choose to believe — that it can take its place among the Pretty Good tier of X-Files MOTWs on its own merit. I liked it enough that I’m willing to break with this blog’s style book and call it “This” instead of This, even if it’s just once for the sake of clarity.

After the transgression of my previous post, I’d also like to reinstate my self-imposed rule of avoiding episode reviews. That ground is well-covered.

Instead, let’s give a couple of the themes from This a Mulder & Scully-focused back story. I think we can all agree that I need to start with…

1. Handcuffs

It’s a show about two law enforcement agents, so handcuffs abound. But we all know what kind of handcuff usage this is really about.


The main downside to this scene from season 6’s Dreamland pt II is that Scully’s leisure-time suggestion is merely a ruse to entrap Morris Fletcher, an Area 51 employee (and 3rd worst minor recurring character in the series) inhabiting Mulder’s body. Where oh where, the more degenerate among us wondered, was Mulder and Scully’s official Fun with Handcuffs?

“You want handcuffs?” Glen Morgan asked rhetorically. “Oh, I’ll give you handcuffs.”

Handcuffed fleeing…


Probably not the first time Skinner has walked in on them looking like this

Handcuffed roleplay…


If I were Langly, I’d have been more cautious about uploading my consciousness into a building whose security is *wink*

Handcuffed banter…


Each knowing line is a piece of shipperdom brought into canon. Please continue.

And on behalf of all X-Files fans, thank you, Glen Morgan. Thank you for keeping Mulder and Scully together on-screen for almost every second of this episode, and thank you for the portions of it that are in handcuffs.

2. Food

Dana Scully is a scientific mind and an independent, crime-stopping woman of law enforcement. Therefore it is unduly precious to hear Mulder and Scully discussing the merits of a muffin that may or may not have come out of an alien’s butt.


Make your own here!

Perhaps we relish scenes of quiet food appreciation because of the pause they offer in a whirling swirl of conspiracies and shadow governments. Some of the best moments of X-Files happen when the aliens are away, leaving Mulder and Scully to their own devices, and what better way to make the unsolicited Syndicate calls go to voicemail then to sit down to a nice dinner. To wit:

a. Ribs (Red Museum, season 2)


You’ve got a little something on your platonic relationship

I can’t write this section without being jealous that they’re eating ribs. That said, given the farflung and isolated locales they frequent, who knows how many of these greasy spoon dates have gone on the FBI Amex? It will remain a statistic known only to Mulder, Scully, and expense processor Layla Harrison.

Side note: the speaker at the Church of the Red Museum notes that they are “18 Earth years from the beginning of the new kingdom.” That places their new kingdom squarely in 2012, a popular year for universal upheaval. I didn’t notice the sky change color that year or anything, but maybe the new kingdom did rise and chose to maintain the status quo so as not to rock the boat. Or maybe we’re all in the Matrix.

b. Cake (Tempus Fugit, season 4)


Serves you right for not finishing your nachos

It’s Scully’s birthday, and by season 4, Mulder finally remembers it. What’s great about this particular meal of bar food, though, is that Scully doesn’t find out it’s a birthday surprise until the singing troupe of waiters comes out with what looks like a sparkler stabbed into a Hostess Sno Ball. Until that point, they were just out having dinner — no case, no furtive meeting point with an anonymous government insider, just Mulder calling up Scully and being like, “Hey, you eat yet?”

While their normal-people evening is interrupted by a harbinger of doom, at least they had their nachos.

c. Wine and Cheese (Detour, season 5)


Wait… the conference reception was potluck? #skipit

Mulder and Scully are saved from a professional development seminar by a roadblock and a nice unsolved disappearance. Since they missed the wine and cheese welcoming reception, Scully opts to host an impromptu one in Mulder’s hotel room. Fox “Suavecito” Mulder then breaks into a rhetorical debate about the nature of predators and bolts out the door to investigate, and I quote, “something.”

Some day I should do a blog post on all his missed opportunities.

In the meanwhile, another side note: the copy on these old websites is classic. I’m sure Facts & Information Encyclopedia was the Wikipedia of its day.


I prefer the Lies & Speculation Encyclopedia, myself 

d. Tuna (Arcadia, season 6)


As long as the garnish doesn’t violate the CC&Rs

Mulder and Scully are undercover as Rob and Laura Petri, and they have a nice suburban dinner party at the neighbors’ place. Mulder ruins everything by asking nosy questions and lauding the virtues of eating dolphin. In between the beginning and ruin of the dinner, though, he shares Laura Petri’s affinity for UFOs and magnetic bracelets with an enthusiasm that suggests he was projecting when he asked Scully whether she took this assignment just to play house.

e. Beer and Popcorn (Je Souhaite, season 7)


Don’t look like no poppin’ corn to me

After a long day’s work of wiping humans off the planet and then freeing a genie, Mulder decides what he and Scully need is some popcorn, a couple Shiners, and Caddyshack. As a resident of Dallas, I approve; this almost makes up for when they blew up our federal building in Fight the Future.

Side note: I recall as an obsessed teenage shipper that there was speculation on that Mulder’s third wish was for Scully to be happy. There was also speculation that he wished for her to be pregnant, given that we find out in the next episode that she is, followed by the season 8 revelation that she had asked Mulder to be the donor for her IVF procedure.

I stand by the default explanation that he pulled an Aladdin and wished for the genie’s freedom, but I would also strenuously prefer either of those explanations to our current CSM + science baby. And we are in dire straits when any plotline looks like a worse option than season 8.


Hold me tight, precious 2001 mytharc


My Struggle 3: Why. Why. Why. Why.

I. Intro (AKA the part you’ll skip)

It’s been over a year since I posted here. I’ve thought of a few topics that I might come back around to (1990s fashion in seasons 1 -3, anyone?) but the motivation always petered away, lost somewhere in the exploding backlog of my Netflix queue.


Someday, season 2…

I also have a rule for myself that I won’t write a post that does nothing but complain about an episode, regardless of which episode it is. That’s how my blog ended up with a post centered around TrustNo1 that somehow managed to go 500+ words without calling it out for the out of character, canon-busting fanfic that it is.

My Struggle 3 resolved both of these issues. I was motivated to write this post, and it’s nothing but complaining about an episode. I’m sorry. If it helps, I’ll save you some time and criticize myself for it so you don’t have to (or as a baseline for you to build your insults from):

Why would anyone just read a long rant?

I’m not sure they will.

Chris Carter created a hit television show loved by millions. What have you ever done?

I have not created a hit television show loved by millions. You got me there.

Why watch a show if you hate it so much?

It is my love of X-Files that drives me to hold the show to the high standards it set for itself. I can’t imagine it would be hard to find other examples of angry, obsessed nerds, though. Comic Book Guy comes to mind. Me and him should hang out.


Get a life.


II. Nothing but complaining

a. Monologues

We’ve been on the “let’s explain” train for a couple seasons already, but My Struggle 3 reached new heights of soliloquy. Now on top of all the conversational exposition (e.g., between Monica and CSM) —


TFW you have just been subjected to an 86-word monologue (actual count)

— and on top of the opening musings —


We found out his name is Carl Gerhard Busch, so maybe this monologue can stay

— we can fill the space in between with key characters’ spoken thoughts, serving to translate the parts of the show that were conveyed through action and acting into statements of the obvious.


Wait… Mulder is worried about Scully? This changes everything.


b. Convenience and coincidence

This is also known as lazy writing, but arguably the previous section also falls under that designation, so in the spirit of being MECE, here we go.

Scully tells Mulder that CSM can be found in Spartanburg, South Carolina. Therefore, Mulder gets in his car to go to South Carolina.


Set address to… ‘House’

Fortunately, he takes a quick break to film a Ford Mustang commercial, after which the driver who was tailing him thinks to himself, “Well, shoot. I lost him. Better drive to Spartanburg right now.”

And a few other characters join in on the improbable fun. From the fact that Mulder’s half-brother has kept his estranged family in the loop about his contact information —


New phone. Who dis.

— to the doctor at the public hospital where intelligence agencies have been dropping off participants in their top-secret experiments, which seems reckless but whatever —


Thanks, Obamacare

— to the chance appearance of the twin banes of my existence, Miller and Einstein, who come back from their Starbucks run just in time to witness Scully’s accident and to drop her off at the hospital before disappearing into the night.

Perhaps any and/or all of these shortcuts will be explained in later episodes, at which point I am ready and willing to have my mind blown.

c. Telegraphing a spin-off

I’ve expressed my feelings about Miller and Einstein before. It perplexes me that someone would want to base a series on two flat characters with no chemistry, but who am I to argue with Chris Carter’s consistent new-series success.

Maybe their derivative presence has got me over-sensitive to new characters, but it sure feels like Mr. Y is a (slightly) younger Cigarette-Smoking Man who can serve as a foil for Miller and Einstein. At least, that’s all I can see when I look at him.


You’re not officially a member of the Syndicate until Mulder threatens you with a gun

And really, who cares how a hardcore fan feels about the setup for a spin-off? If only hardcore fans watched the spin-offs, they’d never stay on air for more than half a season. If Fox wants to pick up a newer, younger X-Files, then I wish them happy trails. Just one request — can we treat this season as the grand finale of a classic show and not a launching pad for the direct-to-video version?

d. Ret-con

Building and maintaining a myth-arc is hard. Following a complex myth-arc is hard. For X-Files fans, trying to explain post-season 5 myth-arc is really, really hard.


“And then the super-soldiers were weak against magnetite, but then baby William was born as a super-soldier, except actually he was a Christmas miracle, and uhhhhh”

But how in the name of Alvin Kersh are we supposed to keep track of the myth-arc when Chris Carter reaches into the past and changes it?

In the scene in question, from season 7’s “En Ami” (quoth high-school me: “WHOA it’s like ‘enemy’ but means ‘as a friend’!!!! HOLY CRAP!!”), Cigarette-Smoking Man has driven through the night to the quaint riverside cottage where he plans to share the cure for all diseases with Scully. She wakes up in a strange bed in pajamas and accuses him of drugging her.


Line: “I carried you. You’d been up for over 30 hours, you were delirious.”

Putting aside how many Cracker Barrels they’d have had to stop at to make a trip from DC to Pennsylvania last 10+ hours, it was a characteristically creepy explanation, but one that she accepts and that neither Scully nor the series ever refer to again.

Not creepy enough for Chris Carter, mind. The new version runs a little different. And in case you missed it, it’s now framed as the forced conception of William, science-child of Scully and CSM.


Line: “We carried you, my housekeeper and I. You’d been up for over 30 hours, you were delirious. You can ask her.”

Chop that together with some slo-mo reaction shots from different episodes, and a previously innocuous shot of him putting on one glove (which, granted, was followed in the original episode by him tenderly pushing her bangs out of her face), and now you’ve cranked your run-of-the-mill creepiness up to 11!

The inclusion of the housekeeper is an interesting, if non-sequitur, choice at this point, serving either to make him look more defensive and guilty, or to set up the involvement of a character we’re already familiar with.


“Medical rape afuera.”

Putting aside (for a moment) the horrific implications this change has for a character that always seems to get the short end of the stick anyway, Chris Carter is poking at a Jenga tower here. There have been stray instances of inconvenient pieces falling out of the mytharc before when overlooked or inconvenient — Mulder claiming not to be a psychologist, Scully accusing Mulder of emotionally associating the victim in I Want to Believe with his sister even though that was soooo 5 years ago — and there have even been add-ins — Scully’s IVF comes to mind.

But reaching back and changing scenes that we’ve already seen really does not inspire belief in Chris Carter’s contention that everything is part of a plan. If that was your intent with the mytharc, would you have let the series expire without hinting at it? Would you need to change dialogue to make it seem plausible?

Though if we are going to bring unused cuts from old episodes into canon, I have a few suggestions:




e. The disenfranchisement of Dana Katherine Scully

If you’re reading this blog, then you probably read other, better X-Files blogs, too. Many of them had responses to Scully’s treatment in this episode that were appropriately negative.

Before I quote a few of them, let’s recap — this is an iconic, independent female character, who during the course of the main series is abducted, made to have a baby without her consent, found in a coma, gets cancer, finds and loses a child she didn’t know she had, loses her partner to abduction, loses her partner to death for like 8 months, gives up her baby for adoption, and is subjected to all manner of capture and beatings, though the latter two are part and parcel of being a main character on an hourlong dramatic TV series for 200+ episodes. On top of that, she also lost every family member except her estranged brother and her mother. And then in the most recent season, she loses her mother.

Since her life has been so much wild and crazy fun up until this point, the first episode of this season sees her wake up in a hospital after having severe seizures, get in a car accident, and get nearly choked to death by an assassin.

Oh, and everyone’s favorite: Cigarette-Smoking Man says he impregnated her without her permission.

I shouldn’t need to explain why this is a cheap plot move, or why it’s not a great time to medically rape your strong female lead.

Even if this were the suspenseful stroke of carefully-orchestrated genius Chris Carter thinks it is, what it does is leave Scully with very little say in anything that happens to her, basically throughout her entire life, but especially so in this episode. She’s left to play a Cassandra role, trying to get Mulder to believe her prophesies while incapacitated. When she does take matters into her own hands, she’s swatted back down again by crashing her car three feet away from the FBI building.

And her visions themselves are due to her connection with her son or something. Motherhood is a powerful bond with its own well of mystery and mystique, but especially as a woman with no plans for kids myself, it pains me to see her only point of plot influence in this episode is as a conduit for her child.

Now onto the other blogs you can read for more insight:

“The objectification of women takes many forms. In Scully’s case, it’s not sexual objectification but lack of agency. Scully is an object used to literally and figuratively give birth to other plot devices. She has no control over her own body, and her decisions are made for her. ”

Meghan M (@knifeink) of Knife Ink Reviews, in Medium

“If she’s evolved to be a believer in a way that we haven’t seen before, and she’s the independent woman, with non-standard, non-traditional views of what roles and life can be – why can’t her actions within the storyline also evolve to be one that satisfies that aspirational desire to find justice where there’s none, and have some rewards at it? It seems like there’s a lot of resignation when it comes as to how others see her and no real moment when she’s not a damsel in distress.”

Avi Quijada (@AviQuijada) in X-Files News

“Of all the disgusting, stomach-turning, hurl-inducing retcon crap. You’re gonna dig into the archives, after blatantly ignoring and shedding the series canon because you couldn’t keep track of it yourself, to find a long forgotten (if admittedly underappreciated) episode buried in the doldrums that was Season 7, a season most people didn’t much watch, and bubble back up to the surface with this pile of manure? Really?”

Salome (@xmusings) in Musings of an X-Phile


Crazy like a Fox

Spoiler warning: don’t read this post if you haven’t watched the first episode of the new season yet. In fact, don’t do anything if you haven’t watched the first episode of the new season yet. Don’t you want to count toward the ratings? Do your part for 1013 and watch it now.

I won’t do a full run-down of the episode, though it was pants-peeingly exciting to see the original credits on live TV again. There are already plenty of reviews online, ranging from mainstream critics who drowned in Chris Carter’s exposition-filled monologues to thrilled fans who have learned to swim in such waters.

I want to talk about one moment that pulled the whole episode together for me. It’s when Mulder the Disheveled Hobo lays out his unified theory of everything for Tad, Sveta and Scully.

012516 monologue

The mark of a good theory is when you can’t mumble through all of it without stopping to breathe.

We’re used to Mulder having some crazy theories. In fact, we’re used to other characters using “You’ve had some crazy theories Mulder, but…” as a preface to dismissing whatever paranoid (though 99% accurate) claptrap he’s decided to buy into this week.

This one goes a little above and beyond, however. To wit, here are the collected works of the new Corporate Conspiracy, according to Mulder and Tad O’Malley:

  • All so-called alien abductions were staged by a secret coalition of world leaders who picked up some scrap UFO technology from Roswell et al. and tested it on humans, including alien-human hybridization efforts.
  • This shady government/corporate alliance plans to take over the US and then the world.
  • Weapons at their disposal include violent uprisings, weather wars, perpetual war, the Patriot Act, militarized police forces, FEMA prison camps, the agriculture and pharmaceutical industries, consumerism, and NSA monitoring of private data.
012516 data

I, for one, look forward to the uphill battle the government will have in trying to get my data back from Google.

At first glance, this is a rant worthy of that guy on the subway with mismatched shoes and an open 12-pack of fruit gummies. But really there’s two ways to look at this. One viewpoint is that this conspiracy salad is the only way one could hope to unite X-Files’ sprawling mytharc.

012516 csm

“Remember when it was just me you had to deal with? Kids could walk to school, movies cost a nickel…”

Or — and this is why I liked the scene — Mulder has fallen off the deep end. There’s three reasons why this is cool.

1. We’ve lost our reliable narrator.

012516 truth

I don’t know what to believe anymore. Next I suppose you’ll be telling me the truth isn’t out there.

You’d think that the skeptic scientist would be the one keeping us grounded, but Scully has two things working against her, neither of which are her fault. One is her inconvenient habit of being absent or semi-conscious when proof of the paranormal is nearby. The other is that Mulder’s gravity-defying leaps of logic almost always turn out to be accurate.

Once the two settled into their comfortable repartee, what that meant for the viewer was that when Mulder is telling Skinner or a roomful of FBI agents that their suspect is a liver-eating mutant or a shapeshifter, the empathetic embarrassment is lightened somewhat. Sure, he looks ridiculous now, but he’ll have the last laugh.

With this last break, we no longer have that comfort. Now he’s just your uncle at Thanksgiving.

012516 shaft

“I’m just saying, what kind of country is this where we don’t take care of our veterans but we’ve got illegal aliens crashing their UFOs into our Roswell? Thanks Obama.”

2. It fits his continued degradation from the second movie.

2015-09-19 17.48.47

“I’m just fine. You’re the one who needs to go outside and stop throwing pencils into the ceiling.”

As I’ve discussed before, Mulder was not in good shape in X-Files: I Want to Believe. The X-Files closed, prompting Scully to go be a productive member of society and Mulder to hole up in a den, making a nest for himself out of newspaper clippings as though there were no irony in that.

In this new episode, we see that Scully has finally pulled the plug on this relationship, and we even get a bonus diagnosis — endogenous depression. Which I had to look up. 

Perhaps Wikipedia is leading me astray, but I do take issue with this diagnosis. Apparently endogenous depression is brought on by chemical imbalances in the brain and is congenital, as opposed to being triggered by major life events. It wouldn’t surprise me the least if among the mysterious brain diseases that Mulder has faced, a predisposition to depression popped up. But I’d also argue that anyone who went from having a mission and a career to becoming a professional beard-grower for 14 years is courting a mental health issue or two.

3. It invites nostalgic recollections of other times he was crazy.

012516 pilot

“Scully, I’m not crazy.”

012516 folie

“Five years together, Scully. You must’ve seen this coming.”

012516 what day

“I don’t know. What day is it?”

012516 punch


2015-11-02 22.42.30

I have zero nostalgia for this arc. Why did I even include this picture? Why am I still typing?